2020 Vision (What Will You Wear To The New Civil War?)

2020 Vision (What Will You Wear To The New Civil War?)

Lyrics written in 2020 by R.U. Sirius
Images by Chad Essley
1 actual recorded song and video by Phr!endz

 

Inscribed

I stole my aphorisms from a young girl named Tristan Tzara
I minored in comedy but I majored in horror
I reached my 100th year when I was 27
I was inscribed inside with a little hint of heaven

And I’m writing this prescription
From an anarchist jurisdiction
Which is just a slimy fantasy
Or wistful wisdom let it be

 

Idiocracy (The Documentary)

And the idiots rose up against The Farrow and cried
Tore off their masks and roared “Let my people die!”
And the Orange Messiah passed out pills and bleach
And everyone agreed “great again” was within reach

And they came with their guns
And even some with hair buns
And all the Karens and Jaspers
Were cheering from the rafters
And some nebbishy patricians
Were signing their petitions
To please their voter base
By appealing to their race

And as they caught and spread infection
Orange Messiah fucked with the election
And called the idiots to insurrection
Promised free Cheetos and police protection

And so the virus spread and spread
Until there were millions dead
And all the supply chains collapsed in dread
And couldn’t get the people fed
And that was just the early crisis
Idiocracy spread just like the virus
To every corner of the earth
And every nation sputtered and lurched

And the idiots rose up against the Farrow and cried
Tore off their masks and roared “Let my people die!”
And the Orange Messiah passed out pills and bleach
And everyone agreed “great again” was within reach

So kiss farewell to the well-mannered plutocracy
And wave hello to the global Idiocracy

Illusions Of Agency

The great society
The ideology
Culture theory
Timothy Leary

Plant a tree
Subversives on TV
Digital means free
Let’s try alchemy

R.U. Sirius
Act imperious
New edge freaks
All power to the geeks

Illusions of agency
Illusions of agency
Illusions of agency
Illusions of agency

The DNC
Crypto-anarchy
Spread a creed
Propaganda by deed

Wild schemes
My magazines
Guillotines
Control of the means

Hillary and Bill
The Triumph of the Will
A perfect peace pill
Mad skills

Illusions of agency
Illusions of agency
Illusions of agency
Illusions of agency

Spread a trope
Audacity of hope
Say nope to that joke
Demand better dope

Susan Sarandon
Charlie Manson
Hair of Samson
Dear Leader is handsome

Pontificator
Angry instigator
Be a player
Run for mayor

Illusions of agency
Illusions of agency
Illusions of agency
Illusions of agency

Transhumanism
Ideological schisms
Elon’s cybertruck
The belief in luck

Joseph Stalin
Marty Balin
Volunteers
Rock careers

Patty Hearst
Voodou curse
America first
Melania’s purse

Illusions of agency
Illusions of agency
Illusions of agency
Illusions of agency

Stay the course
Find the source
Use force
Express remorse

Bio-engineer
Manipulate through fear
Point and jeer
Let me steer

Read more “2020 Vision (What Will You Wear To The New Civil War?)”

Head in the clouds, boots on the ground.

Self-hosted infrastructure is the first step toward voluntary apotheosis.

–Unknown

When people think of The Cloud(tm), they think of ubiquitous computing. Whatever you need, whenever you need it’s there from the convenience of your mobile, from search engines to storage to chat.  However, as the latest Amazon and Cloudflare outages have demonstrated all it takes is a single glitch to knock out half the Internet as we know it. 

This is, as they say, utter bollocks.  Much of the modern world spent a perfectly good day that could have been spent procrastinating, shitposting, and occasionally doing something productive bereft of Slack, Twitter, Autodesk, Roku, and phone service through Vonage.  While thinking about this fragile state of affairs in the shower this morning I realized that, for the somewhat technically inclined and their respective cohorts there are ways to mitigate the risks of letting other people run stuff you need every day.  Let us consider the humble single board computer, computing devices the size of two decks of cards at most, a €1 coin at the very least.  While this probably won’t help you keep earning a paycheque it would help you worry less about the next time Amazon decides to fall on its face.

Read more “Head in the clouds, boots on the ground.”

To Mainline the Pure Dope of Illuminatus!

An Interview with Illuminatus TV Showrunner Brian Taylor

 

by Prop Anon

 

 

In December 2019, Deadline announced that Illuminatus!, the legendary underground novel, was on its way to becoming a tv show with Brian Taylor, writer/director of the movies Crank, Gamer, Mom and Dad, and the tv shows Happy! and Brave New World, slotted as the showrunner.  

Like Wilson, Taylor has taken risks with his craft. Whether it was developing “the Rollercam,” an innovative camera technique used to film Crank with his creative partner Mark Neveldine, or beta-testing the Sony RED camera while filming the underrated sci-fi gem Gamer, Taylor welcomes the inclusion of what Discordians call “the random factor.”

Wilson would give props to the risks Taylor has taken. Choosing to be the showrunner of a story with as labyrinthine a plot structure as Illuminatus! may be Taylor’s biggest risk of all!

Read more “To Mainline the Pure Dope of Illuminatus!”

Grant Morrison Surveys the Situation In “The Age of Horus”

 

Interview by Prop Anon

For those familiar with Mondo2000.com, Grant Morrison needs no introduction. Over the course of his long career, Morrison, and his generation of punk rock warlords, busted through the doors of the lagging comics industry — sorely in need of some power chord clarity and imaginative story lines — and proceeded to take readers on new paths of literary discovery. Morrison’s genius use of tropes, his subversions and inversion of same, are so much fun to read. It’s all there, the light and the dark.

Times are dark. Since the last time I interviewed Morrison, in 2017, Trump and his idiotic minions have rolled out the red carpet for the angel of death. Morrison knows what’s at stake. However, don’t ask him for specific details about the daily plays of politricks. There is little need. The ebullient Scotsman continues to trek the antipodes of the mind, dropping gems and jewels like Chester Copperpot (from The Goonies), educating readers how to vibe right and live like rock stars during a possible apocalypse.

In this interview we discuss his newest television show Brave New World which features an Artificial Intelligence, named Indra, that feeds on human brains to survive. Morrison also provides an update on the progress on his The Invisibles tv show, as well as his insights into Robert Anton Wilson, magick, the Aeon of Ma’at.

Enjoy!

Read more “Grant Morrison Surveys the Situation In “The Age of Horus””

Help Chelsea Raise Funds To Resist A Grand Jury Subpoena

Donate to her legal fund here. Statement from the Chelsea Resists Support Committee

 

Latest update March 5, 2019:

The Chelsea Resist committee has started a website where you can get more tools to help spread the word.

From the Chelsea Resists Legal Fund page:

Chelsea Manning has been summoned to appear and give testimony before a federal grand jury. While the exact nature of the grand jury is unknown, signs indicate it is related to her 2010 disclosures of information about the nature of asymmetric warfare to the public. Following in the footsteps of scores of other activists, Chelsea is challenging the grand jury subpoena, and therefore risks being placed in jail for for up to 18 months if she is found “in contempt” of court.

Chelsea risked so much for public good, and has been through a lot of hardship. Let’s show her solidarity together and let the State know their punitive harassment won’t be tolerated.

What are grand juries?

Grand juries are used to establish “probable cause” that a felony offense has been committed. Prosecutors run the proceedings behind closed doors, without a judge or defense attorney present. Basically, the whole process is rigged to favor indictment of the individual accused of a crime. They have also been used historically to oppress and frighten targeted groups, in particular, people perceived as dissidents and activists.

Why Resist a grand jury?

Due to their secretive nature and limitless subpoena power, the government has utilized grand jury processes as tools for garnering information about movements by questioning witnesses behind closed doors. Since testimony before grand juries is secret, grand juries can create fear by suggesting that some members of a political community may be secretly cooperating with the government. In this way, grand juries can seed suspicion and fear in activist communities.

From the Chelsea Resists support committee statement:

Since her release in 2017, Chelsea has become a prominent public speaker, emboldening countless activists who resist fascism, white supremacy, and transphobic bigotry.

Read more “Help Chelsea Raise Funds To Resist A Grand Jury Subpoena”

A Conversation with Projekt Seahorse a.k.a. Aaron Moun10

Projekt Seahorse will be performing at the next Raw Thought at the DNA Lounge from 9pm-2am on March 8th!

Dance, play with robots, watch a beautiful shamanic dancer perform (Lael Marie) or just chill in artist Grumpy Green’s super special Psychedelic Chill Room (an immersive art installation).

DJs include: Melotronix, Tha Spyryt, Ailz, & Cain MacWitish – with visuals by Projekt Seahorse and shamanic dance by Lael Marie – all at our March 8th Raw Thought at the DNA Lounge in San Francisco! TICKETS

Watch a highlight clip of Projekt Seahorse performing with Raw Thought DJ Tha Spyryt.

By Lisa Rein

The Edirol V-4

Projekt Seahorse a.k.a. Aaron Moun10 is known for his analog mixed-media art, which he performs live in real time. We interviewed him about his techniques and process in creating his real time masterpieces.

Lisa Rein: So how do you make your visuals? Is everything analog? Are there any digital components? How does it work?

Projekt Seahorse: I’m like a live band. I’m running everything from 4-6 different VHS players and two DVD players and two laptops, all into a video mixer, and then I’m sequencing all of it live.

LR: So your using that old video mixer?

PS: Yes I’m mixing it all live to the energy of whatever music artist I’m working with.

LR: So it’s still analog mixing then, when you are using that video mixing board?

PS: Yes. Analog mixing in real time.

LR: Neato. What kind of video mixing board is it?

PS: Well, right now I’m using an Edirol V-4. But normally, what I’m used to using is this old Panasonic from like 1982. It’s called the “MX 50” – and this is how ABC, CBS, NBC, ESPN all used to edit their videos. Before digital came in.

A Panasonic MX 50A

PS: So, I coordinate and sequence everything in a live atmosphere.

LR: How do the laptops fit in then? I see them there as you are working.

PS: I use a 2006 or 2007 Dell, which is actually the first laptop that I’ve ever owned. I still use that. It’s only ever been online like two or three times so it still works great. That runs like the very first version of Resolume on it. And then I also run this 2013 Macbook Air. That’s just begging to be put down – but I can’t put it to rest yet.

LR: Are there some digital clips that you are running from the computer? What’s the computer doing then, if you’re doing all of the mixing with the video mixer?

PS: I’ll use this software called “Arena.” And then a I have a bunch of clips stored on my computer. Some of them are VHS clips and some of them are digital clips.

LR: So, these are good clips that are good to mix in with everything. As opposed to clips you que up on VHS or DVD? So there ARE some digital clips. But they are still being mixed in with the analog mixer.

PS: The digital portions appease promoters. If it were up to me I wouldn’t use them at all.

LR: Are you saying the computers are partly for show? Because people freak out when there’s no computer?

PS: Affirmative.

LR: And that is still analog output to the projector, right? From the mixer – even if you are blending in digital sources?

PS: From the computer to my mixer is digital to analog conversion. And then, from the mixer – coming out of the mixer, I go analog back to digital. (Since the projectors prefer digital input.)

Shamanic Dancer Lael Marie dances as Projekt Seahorse immerses her in his video art projection. (Click to see a short video 🙂

LR: So Lael Marie will be performing with you for the first time at our Raw Thought show on March 11. I’ve seen you guys perform together during a practice session and she’s absolutely amazing; and the two of you together are quite impressive. How did you ever find her?

PS: We met at a party and she’s always looking for new progressive projects and events where she can dance, so I told her about Raw Thought.

LR: Yes she mentioned she was always looking for interesting collaborations, and said this was a dream come true for her, as she had been looking for a projectionist to collaborate with for a while. (I’ll have an interview with her up later this week!)

PS: Werd.

Read more “A Conversation with Projekt Seahorse a.k.a. Aaron Moun10”

The President Addresses The Nation

The President Addresses The Nation

R.U. Sirius January 8, 2019

I see them all lined up at the border
killers, gangsters, rapists…

Ravers with drugs
Bugs with diseases
Mr. Freeze
Chupacabra
Old Sandinistas
Bolton just told me there’s Zapatistas
Angry strippers who use the name Rita
Members of ISIS carrying Pita

vampire bats
gals wearing pussy hats
Soros’s minions of liberal fat cats
Knee takers carrying baseball bats

Masked Antifas throwing rocks
Vicente Fox
Honduran children with chicken pox

IRS agents have joined the throng
Octavio Paz arm-in-arm
With Robert de Niro and Erica Jong
Mueller supporters who know I’ve done wrong
Emiliano Zapata on the back of King Kong
Streisand singing that stupid song

Hillary Clinton is down there too
Professor Chomsky and his radical jews
Even the truthers are turning on me
Why can’t I just make a decree
This is a national emergency

Yes there are monsters south of our border
I need a wall against this disorder
Dictator or prison – that’s how I see it
Yes it’s an emergency soon I will decree it

ASD PSP Update: What We Know About Law Enforcement Use of Facial Recognition Software with Body Cameras – Including Amazon’s “Rekognition”

An Interview with Tracy Rosenberg (Executive Director, Media Alliance & Co-coordinator, Oakland Privacy.org)

By Lisa Rein & Tracy Rosenberg of the Aaron Swartz Day Police Surveillance Project

New! We’ve just updated our Muckrock Templates for Filing Requests re: Surveillance Equipment.) Use these handy templates to request information on the existence of any and every known piece of surveillance equipment. Works for Police (city) AND Sheriff (county).

Tracy Rosenberg & Lisa Rein will be discussing the Aaron Swartz Day Police Surveillance Project, its templates, latest results from Sacramento & many other cities in California at this month’s Raw Thought Salon on March 8th – from 7-9pm.

Then stay from 9pm-2am to dance and hang out in artist Grumpy Green’s super special Psychedelic Chill Room (an immersive art installation). DJs include: Melotronix, Tha Spyryt, Ailz, & Cain MacWitish – with visuals by Projekt Seahorse – all at our March 8th Raw Thought at the DNA Lounge in San Francisco! TICKETS

Facial recognition software allows cops to feed in images of people and look them up in real time. For instance at a protest or any kind of public gathering. One of the new planned technical innovations is to put the software onto the body cameras many police now carry, turning cops into walking facial recognition programs.

Tracy Rosenberg holds up a sign at the T-Mobile/Sprint merger protest in Fresno, California, on January 15, 2019.

Lisa Rein: Hi Tracy! Thanks for helping me give folks an update about what we know now about facial recognition.

Tracy Rosenberg: No problem.

LR: So, you were telling me that, currently, to your knowledge, no city has yet to put body cameras with facial rec out on “the street?”

TR: That’s right. So far, it’s just an idea being talked about and explored. As with much of law enforcement use of facial recognition software, it is isolated and spotty, but we are seeing more and more. The threat is very real.

For body cameras carrying the software, there is no police department yet doing it. However, Axon-Taser, which dominates the police body camera market after acquiring their primary competitor VieVu last year, says they are exploring and proactively put in place a new corporate ethics board in the hopes of stemming the expected public uproar.

http://www.govtech.com/public-safety/If-Facial-Recognition-Comes-to-Body-Cameras-How-Will-Government-Respond.html

And when SF-based Assembly member Phil Ting tried to include a ban on facial recognition software being attached to police body cameras in his legislation (AB748) to make body camera videos available as public records, law enforcement fought very hard and was eventually able to force the removal of that clause from what eventually became law. That was virtually unreported by the press in their coverage of the law and it was a big deal.

The most prominent facial recognition software producer, of course, is Amazon with their “Rekognition” product, which they have been shopping around to municipal police departments and to ICE. A public records act request by the ACLU revealed that two police departments were takers, the Orlando PD and the Washington County Sheriffs Department in Oregon.

https://www.washingtonpost.com/news/the-switch/wp/2018/05/22/amazon-is-selling-facial-recognition-to-law-enforcement-for-a-fistful-of-dollars/?utm_term=.444adcfbb642

Both are engaged in “pilot projects” (as is also the case in Alameda which we’ll discuss below).

Orlando paused their pilot program briefly in response to public scrutiny, but has now started it up again.

https://www.orlandoweekly.com/Blogs/archives/2018/10/18/city-of-orlando-launches-second-test-of-amazons-facial-recognition-software

LR: What other implementations are on the horizon in the facial recognition space?

Read more “ASD PSP Update: What We Know About Law Enforcement Use of Facial Recognition Software with Body Cameras – Including Amazon’s “Rekognition””

Interview with Raw Thought Artist Grumpy Green About Their Life, Love & Art

Come to Raw Thought on March 8th (from 9pm-2am) & see Grumpy Green’s super special Psychedelic Chill Room (an immersive space for both dancing & chilling).

DJs include: Melotronix, Tha Spyryt, Ailz, & Cain MacWitish – with visuals by Projekt Seahorse – all at our March 8th Raw Thought at the DNA Lounge in San Francisco! TICKETS

By Lisa Rein

As we begin the interview, Grumpy’s cat, “Freddie Mercury” knocks over some brushes in water in a water bottle all over a piece of beautiful artwork sitting on the living room table.

“It’s okay,” Grumpy says. “I’ve already scanned it.”

Aha! Great opportunity for me: “Hey if that’s garbage to you now would you please sign it and give it to me?” They promise to sign it and let me take it with me. It’s the creature in black, above, at the beginning of this article.)

Lisa Rein: So tell me about your radio show.

Grumpy Green: It’s on S.P.A.Z. radio.

LR: That’s an Internet Station?

GG: Yeah it’s on SPAZ.org, it’s an anarchist collective and they stream radio from Guadalajara, from Portland, from Amsterdam, and from all over the world. Every broadcast comes from a different location. It’s also available via pirate radio in San Francisco, but not yet in Oakland. (Coming soon.) In San Francisco it’s at 103.5.

LR: Awesome. And this will be your first show this Sunday?

GG: Yes! Our show is called #LiveAmmunition and it’s every Sunday from 2pm to 5pm.

LR: Are your shows recorded if folks miss the live ones?

GG: Yes. The next day, at 8am in the archives. (Link to Sunday, Jan 6, 2019 show)

LR: Great! I will link to it!

GG: It’s me (Grumpy) my other friend Traveiza and our other friend Chi Hai. They are all DJs and really incredible artists, and we all bring a little bit different flavor to club music.

We started recently, just in the underground music scene, playing shows together. And we started tag teaming DJ sets. Like we’ll do back to back and each do two songs. We started doing it just for fun a few months ago and we just all worked so well together. This opportunity came up to do the radio show and we decided to do it altogether, and bring on local queer and trans and really give a platform to the Oakland underground scene, specifically the queer underground scene.

 

LR: Is there an instagram just for the show?

GG: Yes. It’s just the name of our show is “@LiveAmmunition” We also do an advice segment for people that wanna call in.

LR: How did you come up with “Grumpy Green?”

GG: Well my last name is “Green.” And “Grumpy” is something that my ex-partner – I guess my first real relationship – they would always call me “Grumpy,” but as a way to kind of point out when my mental illness was acting up. Because I have Borderline Personality Disorder and I have really intense mood swings, which is why I smoke so much weed, because it really helps me stay like baseline. Otherwise I feel like 50 things a day and I’ll be like crying and then I’ll be like “ha ha ha ha” – just like really crazy. But we would fight a lot, and whenever I’d get upset he would try to be like “da da da, you’re being Grumpy.”

And a while after we broke up and decided I didn’t want to go by my birth name any more, and it started out just for my art. But I don’t go by my birth name ever ever now. Because I feel very dysphoric about it. So it started out as just like a pseudonym for my artwork, but it was sort of a reclamation and acknowledgement of my mood disorder and mental illness, but being like “I’m fucked up, but that is beautiful.”

From “Lucid Dreams”

Read more “Interview with Raw Thought Artist Grumpy Green About Their Life, Love & Art”

Cindy Cohn & Cory Doctorow & Annalee Newitz Discuss “The End of Trust”

(Left to Right) Annalee Newitz, Cory Doctorow, Cindy Cohn.

By Lisa Rein.

Video: YouTubeInternet Archive

Audio: Internet Archive

I was lucky enough to get a last minute ticket to see Annalee Newitz interview Cory Doctorow (Science Fiction Author, BoingBoing, Special Advisor for the EFF) and Cindy Cohn (Executive Director, Electronic Frontier Foundation) a few weeks ago in the SF mission to promote McSweeney’s new “The End of Trust” publication – which is now available for pre-order.

Annalee Newitz: “When discussing Social Justice Issues, Corporate Malfesence, The Government Breaking the Law to Look Into Our Private Lives, and I know that at EFF, one of the main responses to these kinds of problems has been litigation. It has been to go to the courts. And I’m curious to hear why you think that is a good tactic because we have many tactics at our disposal. There’s direct action. There’s calling our congress critters. There’s all sorts of ways that we can influence the political process. So, why the law. Why the courts? And how can ordinary people participate?”

Cindy Cohn: “The first reason is that there’s a fundamental constitutional question at the centerpiece regarding how we are going to interact with our technology, that can make all the other questions easier.

The second reason is that all of the direct actions that you might want to take in order to exercise your self-governance and have your voice heard, requires some kind of legal protection, right? And when we talk about “direct action,” the reason that you can do direct action and not end up with a very long jail sentence is because, in the United States, compared to other places around the world, is because the Constitution says you can. All the hackers who EFF represents, who tell us all the things about the security problems and the surveillance – if we don’t get the law right, they’re not going to be able to do that. So, I often say that about EFF that we’re kind of the plumbers of freedom. We’re trying to get the obstacles out of the way, so that all the other things you can do to exercise your rights in the digital world can really flow freely.

And so, I think for both of those reasons, EFF was grounded in the law. But also, at this point, we build technology. We have an action center. We support a lot of people that do a lot of direct action. We support a lot of people that need to protect themselves, that do direct action, and all sorts of other things. So although we are firmly grounded in the law, and that’s my background, the organization has really trying to grown to build a lot of different tools in our toolbox to deal with these problems.

Cory Doctorow: “Yeah. I think it’s easy to forget just how powerful states are. They have a lot of resources. And in a fight where you are trying to say, use cryptography to be free, in a state that is illegitimate. You have to use cryptography and the privacy tools associated with it absolutely perfectly, as do, everyone you communicate with, and never make a mistake.

And when you get tired or distracted, you don’t get to call in another you to spell you off and manage your operational security for you. While you’re distracted or taking care of your kids or dealing with the flu. And your adversary from the state, has three shifts of people that can watch you. Right? And when one of them gets a little tired, and gets screen burn and needs to take 15 minutes off to go to the bathroom, they can swap someone else in.

So in the long run, your ability to use cryptographic tools to defend yourself against an illegitimate state. You’ll always lose, right? Because you need to make one mistake. They have to find one mistake you made. They get to make lots of mistakes provided they can still catch that one mistake you made. And then they get to roll up you and all your friends and take you to jail and torture you and so on.

And so, without a legitimate state, the utility of cryptography is to allow you to just have a space in which you can organize to make your state legitimate. But unless you can attain that kind of democratic accountability. Unless you can attain that kind of legitimacy, you’re always gonna lose…

Larry Lessig, take a drink (audience laughs), is one of the great cyber lawyers, and he devised all the areas in which we can act to change the world into four categories. Four directions. We can do code. We can do law. We can do norms, and we can do markets. And they all feed back into each other. And EFF does all of these things. We sometimes advise businesses who are building up stakeholders for good policy. We sometimes do activist intervention where we try to convince people that they should expect more and demand better.

Link to the Book Excerpt in Wired by Bruce Schneier – “Surveillance Kills Freedom By Killing Experimentation” by Bruce Schneier. From the upcoming “The End of Trust” – now available for pre-order here.

Here is a complete list of authors:

Edward Snowden
Jenna Wortham
Cindy Cohn
Sara Wachter-Boettcher
Cory Doctorow
Reyhan Harmanci
Hamid Khan
Ken Montenegro
Myke Cole
Ethan Zuckerman
Elizabeth Stix
Ben Wizner
Malkia Cyril
Jennifer Kabat
Alvaro Bedoya
Gabriella Coleman
Camille Fassett
Virginia Eubanks
Jacob Silverman
Julia Angwin
Trevor Paglen
Soraya Okuda
Thenmozhi Soundararajan
Douglas Rushkoff
Bruce Schneier
Dave Maass
Madeline Ashby
Edward F. Loomis
Jenny Odell
Carson Mell
Chelsea Hogue
Joanna Howard

 

(Left to Right) Annalee Newitz, Cory Doctorow, Cindy Cohn.