What’s Eating Jaron Lanier (written about 5 years ago)

R.U. Sirius

So I came across this thing I never published and I like it quite a bit even though I should probably update it but I have a toothache.

So let me just protest that I love Jaron and really loved his recent quasi-autobiographical book Dawn of the New Everything: A Journey Through Virtual Reality 

Anyway, here is something from several years ago in the raw…

……………………..

Every few years, one of my friends from the early days of digital enthusiasm turns up on the media’s radar as a “defector.”

Huzzah! The former advocate or progenitor of the Next New Thing has turned into a flaming critic.  Perhaps he or she has even issued a Jeremiad against the former Great Hope of All Humanity.  It’s a turnkey, media-ready narrative, easy to convey and easy for a reading public that pays little attention to the more complicated discourses taking place around the impacts of radical technology to digest.  He was for it. Now he’s agin’ it.  You can tweet that and have enough characters left over for a haiku.    

Jaron Lanier, who emerged into the media spotlight in the early ’90s as the chief spokesperson for Virtual Reality, seems to be having a longer — and more vocal — run at this sort of thing than most. His 2000 piece — “One Half A Manifesto” — published in Wired, struck out against what he saw as a cybernetic totalism wherein some techno enthusiasts were laboring to create our nonbiological replacement species.  With his  2011 book, You Are Not  A Gadget, he went a bit further into “fighting the future,” finding aspects of the Web 2.0 culture depersonalizing and economically unfair to creatives.  In a recent and much-ballyhooed portrait in The Smithsonian magazine titled “What Turned Jaron Lanier Against The Web,” Ron Rosenbaum portrays Jaron as being like a “spy who came in from the cold.”  

The whole Manichean set-up is a bit much, but the actual content of Jaron’s complaints, I think, are not particularly obscure and touch a disquieted nerve in many of us — particularly those of us who have experienced life before the ubiquity of the social web.

The bummer, according to Lanier — at least as expressed in the aforementioned article — are as follows:

1: We are falling into a “hive mind.” Being webbed together — living in public and thinking collectively leads to a sort of insectoid de-individualization and a devaluation of excellence.  Some time back, Lanier called Wikipedia “digital Maoism” and questioned the au courant deference to “the wisdom of the crowd.”

2:  That whole “Information wants to be free” thing — what some call “free culture” — is not economically kind to artists, musicians, writers and creative folks in general.  Aside from being economically devalued, skilled creative types are demeaned as we’re pushed down into the shit end of the Long Tail along with the vast, relatively unskilled hordes who are happy to provide their own content, thank you very much, and to grab up our stuff for free.  The creative middle class is being disintermediated.

3:  Digitized music sucks

4:  The same technology that privileges file sharing also privileges the plutocratic finance economy.  Digital networked capital is unfair and largely disconnected from actual productivity. 

5:  The Singularitarians are fanatical quasi-religious nuts

6:  Most anonymous people  assholes.  There’s a virtual tsunami of ugliness and hate that seems to be gathering force. Read more “What’s Eating Jaron Lanier (written about 5 years ago)”

Mutant/Mutation/Transmutation/The Total Fucking Transmutation of Everything

Excerpt from the unpublished Mondo History Project by R.U. Sirius… partly from preface party from “Chapter 3”

 

Accept for the moment — if just as a literary conceit — that I was entrusted by certain unknowable cosmic extradimensional forces with bringing about what I — in my heyday — called “the total fucking transmutation of everything.” Accept that, a few days after taking a 600 microgram liquid LSD trip, this daft absurd little American whiteboy felt himself to be as one of those windup toys dropped into the play set of the late 20th century human dramedy with a fantastic cosmic mission to transform the human species. An agent of destiny.

This world — the very one we currently occupy — would be led off into n-dimensional hyperspace; or brought via drugs and technology into a novel mutation of being human several degrees up the evolutionary ladder. I would erect my holy grail and plunge forth. All boundaries, borders and banalities clenched by civilization’s tight asshole would be expulsed leaving behind only the alchemical transference of shit into philosopher’s gold and the energies of abundance.

This transmutation was not to lead to the innocent empty eyed bliss ninny paradise of new age gurunoiacs. It would be a postpunk neoyippie trickster utopia — utopia with booby traps to keep everyone on their toes; utopia with a cacophonic bite; with more than a hint of Burroughsian or Sadean perversity, and with just enough science factional ambition to launch a posthuman species into the cosmos.

Of course, smart smug reader, this is all bullshit. I know it too. I knew it even then, except when I didn’t know it… which was just often enough to propel me forth to make this strange thing that was MONDO happen…

Mutant/Mutation/Transmutation/The Total Fucking Transmutation of Everything

In biology, a positive or beneficial mutation increases the fitness of the organism and promotes desirable traits.      

As cultural signifiers, the words mutant and mutation have been in circulation amongst countercultural and subcultural types at least since the mid-1960s when the organizers of the first hippie Be-In declared the hippies “a new generation of mutants.” Around the same time, Timothy Leary started describing the rebellious youths of the ’’60s generation” as post-Hiroshima mutants. Since then, these words have continued to pop up amongst the various flavors of alternativeness. Many Science Fiction fans, for example, see themselves as mutants who are different from — and smarter than — the “normals.”

The main conceit, largely framed by media philosopher Marshall McLuhan, was that the new communications media — particularly TV — in combination with mind-active drugs, was causing the era’s youths to privilege mental and emotionally abilities that were entirely distinct from those privileged by the previous several hundred years of print, alcohol and caffeine-oriented Western Civilization, thus making them a sort of new species living in a linked-up, innately trippy “global village.”

Regarding transmutation, prior to Darwin, evolutionary theorists used the word to describe the transition from one species to the next. The term had been passed down from alchemy and thus also had — and continues to have — a resonance among occultists and other mystics.

The Total Fucking Transmutation of Everything, as conceived by your main narrator R.U. Sirius, represented the idea of a radical transformation in the human condition, both fundamental and surreal.

In fundamental terms, I imagined a humanity that had transcended poverty, unhappy labor, ill-considered taboos, national boundaries, rigid ideologies, racism, sexual repression, absolute gender categorization and identification, and biological and neurological limits on what a human being can do or experience.

At the more surreal level, I was inviting conditions and experiences that defied all possible expectations based on familiarity with how the world is supposed to function, but that might relate to psychedelic philosopher Terence McKenna’s notion that during the 21st Century, we will enter into a place where “whatever we can imagine will simply come to be;” or singularitarian Vernor Vinge’s idea that we will take inside of us AIs with intelligences that will be to us as our intelligence is to the ant and that the future beyond that Singularity is beyond comprehension .  

Or in a less explanatory but more lyrical modality, I once wrote and sang:

I inverted the very color of being

But you weren’t there

Yeah the big ball turned right over

It needs no justification

I wanted to be Salvador Dali

I wanted to be dead and unreasonable

Let’s grieve in concentric circles

To make the night release your brain

In other words, rationality aside, my biggest motivation for invoking the Total Fucking Transmutation Of Everything was probably a fuck-all boredom and impatience with reality.

Facecatraz: Becoming the Warden or Facebook as a Penal Colony

or

How Facebook is becoming the digital Alcatraz of Social Media

by E.F Fluff

Written early 2016, extract from a larger work

A few weeks ago, for reasons still unknown to me, my Facebook account was suspended. Upon attempting to login, I was directed to a page requesting various types of ID to prove I was who my profile said I was. The foremost of these request was a scan of my passport with its ID number unobscured.

I am remaining anonymous for a variety of reasons including but not limited to needing to remain hidden from the man who attempted to blind and kill me. The same man I am trying to prosecute; the same man who has since been convicted of unrelated attempted manslaughter. With no information privacy or safety guarantees and the knowledge that this information would be handled by obtuse “subcontractors” and given their poor track record in everything, I provided Facebook with real documents with the artist pseudonym I have used for over seven years. None of them included a photo, as I have never linked a photo to that account.

Other equally intrusive options are available, though a quick search of the net will tell you depressing stories of people whose IDs were not accepted, even one or two whose passport were, apparently, not accepted. In some cases, people are using their real names or names slightly altered, (middle name spelt different, a common nickname such as Bob, no surname etc.).

There are very few times in life you will ever be required to provide your passport with its number.

Border control upon entering and leaving a country. Registering as a foreign resident in a country. Opening a bank account in a foreign country as a freelance worker. In some places, dealings with welfare or perhaps, when going to prison.

The passport is a very important document and was historically a document of “safe conduct.” Passport-like documents can be traced back to the Bible. With the current refugee crisis, it is clear the importance of the document has not diminished.

For example, in Finland, male citizens aged 18–30 years require military approval, or must prove that they have completed, or are exempt from, their obligatory military service to be granted an unrestricted passport. Otherwise, to ensure that they return to carry out military service, a passport is issued that is valid only until the end of their 28th year. Other countries with obligatory military service, such as Syria, have similar requirements. In Ireland, you do not own your passport; it is essentially on loan from the Ministry of Foreign Affairs and Government.

For a company such as Facebook to begin requesting passports, drivers licenses, employment pay stubs and other varied forms of confidential ID, you would think they were an extension of a State body rather than a stealth advertising company whose largest commodity is its “free” users. Users whose information it corrals and spins into billions. Some people are there by choice, other’s are there against their better judgement but feel compelled to use it due to its huge reach. One could possible draw analogies to the Prison-Industrial Complex, where prisoners become the bread and butter commodity, spinning money any way they are turned, in subsidies, contracts and penal labour.

In these days of doxxing, identity theft and swatting, the maxim should be, “You don’t know me, and that, unless I decide otherwise, is the way I want it.” Indeed, we should encourage obfuscation of identity, for safety, for cultural richness and truth-telling.

Increasingly, Facebook is being used as a means to background and credit check. Now, unless carefully hidden with maintained privacy and anonymity settings, soon your disparate Read more “Facecatraz: Becoming the Warden or Facebook as a Penal Colony”

The Cyberpunk Issue — Pull Quotes from MONDO 2000 Issue #1 (1989)

A cyberspace experience might be a simulation of an entirely imaginary world as long as the space is physically lawful and self-consistent. Autodesk

 

Bush doesn’t want us to know whether he’s telling the truth of lying, but he wants us to be sure he’s not stoned while doing it. Robert Anton Wilson

 

McLuhan seemed to be giving permission for youth culture, rock & roll, and post-print libidinal tactility to finally, mercifully dismantle linear stuffed-shirt Western Civilization. Terence McKenna

 

Gibson has produced nothing less than the underlying myth, the core legend, of the next stage of human evolution. Timothy Leary

His females are shaman ladies, sophisticated wizards, playful, humorous, hip diviners. Timothy Leary

 

Burroughs found 50’s science fiction and used it like a rusty can opener on society’s jugular. William Gibson

McLuhan’s revenge. Media monsters . . . the worst street gang you ever ran into were, at the same time, intense conceptual artists William Gibson Read more “The Cyberpunk Issue — Pull Quotes from MONDO 2000 Issue #1 (1989)”

Technological Resurrection by Jonathan Jones Reviewed

 

 

 

And when we die, they pull our minds through a wormhole in space-time and put us into an awesome brand new body in this ‘heaven’.

 

Review by Giulio Prisco

The recently published book “Technological Resurrection: A Thought Experiment,” by Jonathan Jones, is a little gem. It only costs $1.26, and provides a short and readable first introduction to ideas on technological resurrection.

If you value hours of informative, thought provoking and entertaining reading more than $1.26, buy the book now. It’s so refreshing being able to pay a small sum to a deserving writer, instead of downloading a pirated version of one of those expensive books.

The idea behind technological resurrection is that we’ll all be resurrected — copied to the future — by future hyper-advanced technology based on quantum weirdness, time scanning, wormholes, and whatnot.

If you aren’t familiar with the concept and want to find out more, perhaps because you are looking for scientifically believable alternatives or complements to traditional religion, then this book has been written for you.

In my favorite passage, Jones mentions “Nothingness” as a possible answer to the question of what comes after death, but quickly dismisses the possibility because it tastes like tofu: “We’re told that it’s the most sensible, best option. And it will be good for us. But what’s the point of life, we keep asking ourselves, if all we ever get to eat is tofu?”

I interpret this as a perfect reply to the “cultural” thought police and the bureaucrats of philosophy who want to eliminate what remains of spiritual imagination and hope. Screw tofu, I want pizza. And ribs. And a beer.

Temporal resurrection

Jones’ much better answer, inspired by Nikolai Fedorov and the Russian Cosmists, is very similar to mine: We will be resurrected by future humans by means of science and technology. Technological resurrection works like this:

  • Step 1, looking back through time using some future technology built on quantum weirdness;
  • Step 2, using the information retrieved from the past to “print” a copy of your body and mind;
  • Step 3, retrieving your consciousness from the past; and finally
  • Step 4, inserting your consciousness into your new body.

Simple, isn’t it? Well, perhaps not that simple, but super-intelligent AIs will be there to help.

Most technological resurrection procedures that have been imagined based on this “uploading to the future” concept stop at step 2. If your mind is there in the future, what more can you want? Our grandchildren could even skip printing a physical body/brain and insert your mind into a new robotic body, or a software “body” in a virtual world. Read more “Technological Resurrection by Jonathan Jones Reviewed”