DJ Spooky will be speaking and performing at the Aaron Swartz Day International Hackathon Evening Event, November 10, 2018, at the Internet Archive in San Francisco. TICKETS
The Sixth Annual Aaron Swartz Day and International Hackathon is going on all over the world, November 10-11, 2018.
In this weird Trump Dystopian Bizarre Feverish Lunatic Dream of White Supremacy that we’re kind of trying to deprogram out of, these kinds of films, and these kinds of gatherings, are where people from different perspectives, races, classes, come together and think: “How does cinema change our vision of things?”
Don’t forget, most people in the Trump administration were involved with film. Whether it be Secretary of the Treasury Steven Mnuchin or the Mootch guy (Anthony Scaramucci).
Steve Bannon was also a producer, and of course Trump comes out of reality TV. So, we can easily see how they try to apply cinematic narrative to this nightmarish shitstorm of an administration. And you can see we can use film to deprogram and decolonize people’s perspective.”
– DJ Spooky, during his introduction for “Body and Soul,” at the San Francisco Museum of Modern Art, July 12, 2018.
By Lisa Rein
Watching it was quite an experience. I have never had such a riveting time watching a silent film before. Not only was the acting was incredible, but DJ Spooky’s soundtrack was moving and suspenseful.
Even though “Body and Soul” was released in 1925, the subject matter is as timely as ever.
Here’s a video clip.
This film is just one of many on the The Pioneers of African-American Cinema DVD box set. These landmarks of early African-American film have been remastered in HD from archive elements and digitally restored, and are available as a box set or for streaming on Netflix.
DJ Spooky spoke to the audience a bit before the MOMA showing. Below is a complete transcription.
“Thanks to MOMA for putting together such a wonderful and hyper eclectic group of films.
It’s a roster that really goes all over the spectrum of African-American cinema, showing the last century as it sort of evolves into the 21st.
First, a little background. After reconstruction in the south, there was a tremendous amount of effort, systematically, to disenfranchise African-Americans. So, one of the more intriguing situations that ended up happening is that there was a huge migration. As a matter of fact, I’m working on another project, with Henry Louis Gates, of Harvard, based on this idea of the genetics of Reconstruction. I’m scoring that this summer, it’s called “Reconstruction.” It will be out soon. Read more “DJ Spooky Looks Deeper Into the Films of Cinema Pioneer Oscar Micheaux”