A cyberspace experience might be a simulation of an entirely imaginary world as long as the space is physically lawful and self-consistent. Autodesk
Bush doesn’t want us to know whether he’s telling the truth of lying, but he wants us to be sure he’s not stoned while doing it. Robert Anton Wilson
McLuhan seemed to be giving permission for youth culture, rock & roll, and post-print libidinal tactility to finally, mercifully dismantle linear stuffed-shirt Western Civilization. Terence McKenna
Gibson has produced nothing less than the underlying myth, the core legend, of the next stage of human evolution. Timothy Leary
His females are shaman ladies, sophisticated wizards, playful, humorous, hip diviners. Timothy Leary
Burroughs found 50’s science fiction and used it like a rusty can opener on society’s jugular. William Gibson
McLuhan’s revenge. Media monsters . . . the worst street gang you ever ran into were, at the same time, intense conceptual artists William Gibson Read more “The Cyberpunk Issue — Pull Quotes from MONDO 2000 Issue #1 (1989)”
by Rudy Rucker
Images supplied by Rudy Rucker
I’m Zak, and I hang with this highly charismatic woman, Zik. We have a streamer show out of San Francisco. It’s called ZikZak. I’m the eye, and Zik is the star. She’s a natural, people can’t stop looking at her. Gestures, voice, expressions, phrasing—she reels them in.
Me being the eye means I wear a helmet with eight outward-pointing cameras, also a pinhead selfie cam aimed at my face. Our stream’s users are interactively immersed, that is, we’re sending them so much data that they’re in a reality bubble containing Zik and me. They can move around in our virtual space, and they can look any direction they please. Ambient eyeball kicks. They imagine they’re with us, a member of our posse.
Since I’m the eye of our reality bubble, the patched-together image of my body is fubar. Our streamware filters out this degraded geometry and replaces it with a textured wire-frame model of me. We use my live selfie stream for the model’s face. Not that I’m anything special to look at. A skinny single guy in his thirties. Sadly yearning for love. Never the right woman, never the right time.
Zik is the one the users watch. My hi-def cameras lock onto her. She wears a couple of pinhead selfie cams as well, filling in any bits that my cams don’t cover. Most of the users hang close to Zik—some of them watch her from an inch away. Not that she sees them. Read more “Fat Stream (Short Story)”
cover photo by Morgan Russell
MONDO 2000 is here to cover the leading edge in hyperculture. We’ll bring you the latest in human/technological interactive mutational forms as they happen. (COULD PROBABLY RERUN SOME TECH ARTICLES FROM MONDO 2000 MAGAZINE HERE SINCE MOST OF THE THINGS THAT WERE GONNA HAPPEN IN FIVE YEARS ARE STILL GONNA HAPPEN… IN 5 YEARS)
We’re talking Cyber-Chautauqua: bringing cyberculture to the people! Artificial awareness modules. (THE GREAT THING ABOUT 1989 IS THAT YOU COULD JUST SAY STUFF THAT SOUNDS COOL… BECAUSE NOBODY KNEW ANYTHING ABOUT ANY OF THIS SORT OF SHIT) Visual music. Vidscan Magazines. (SOME PROJECT OF ALLAN LUNDELL & TAYLOR BARCROFT ANNOUNCED IN THIS FIRST MONDO ISSUE… IT DIDN’T MAKE IT TO ISSUE #2 … IT’S MEMORIALIZED IN DEAD MEDIA NOW Brain-boosting technologies. (WELL, HOPE SPRINGS ETERNAL FOR THINGS LIKE TRANSCRANIAL MAGNETIC STIMULATION … I’D LIKE TO TRY IT!)… William Gibson’s Cyberspace Matrix — fully realized! (SPEAKING OF BILL GIBSON, HIS ATTITUDE TOWARDS INTELLIGENCE INCREASE THROUGH DRUGS AND TECHNOLOGY IS THAT (PARAPHRASING) UNTIL HE SEES SOME IDIOT SUDDENLY WALKING AROUND BEING A GENIUS, HE’S NOT TOO INTERESTED… WHICH REMINDS ME OF LAWNMOWER MAN) Read more “First MONDO 2000 Editorial (1989) Annotated (2017)”